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Showing posts with label Disney. Show all posts
Showing posts with label Disney. Show all posts

Sunday, February 14, 2016

RETURN TO OZ Review


"Hey have you seen Return to OZ?"
"Yeah I've seen Wizard of OZ."
"Of course, everyone has. But I'm talking about its sequel."
"There was a sequel?"
 "Yes."
"When?"
"In the 80's."
"Never heard of it."

That's a conversation which is common when one brings up the sequel to the 1939 classic. I remember as a kid when Blockbuster was still around always seeing that cover with the giant pumpkin head. I was always greatly curious about it, but never got around to renting it. Though the film has always been in the back of my head to check out someday. We've all seen the Wizard of OZ, hailed by many as one of the greatest movies of all time. Imagine back in the day you saw the film as a kid, and almost 50 years later it gets a sequel. Unfortunately, it didn't fare well at the box office and critics at the time weren't kind to it. Still, with a 55% on Rotten Tomatoes that means quite a few liked it, with many saying it to be a more faithful adaption of the books than the classic. Interestingly, this is Walter Murch's only directed film. What we have is a truly interesting sequel that pays respect to the classic while introducing lots of welcome new elements. An excellent, relatively unknown novelty is how I would describe it.

Taking place 6 months after she returned to Kansas, Dorothy Gale keeps recollecting about her adventures in OZ, much to the dismay of her aunt. So, the latter brings Dorothy to a psychiatric ward for evaluation. But what ward in film has proven to be legitimate? As expected, they try to sabotage Dorothy but someone there helps her escape. Soon Dorothy winds up back in OZ and finds out it has been taken over by the Nome King. It's up to her to overthrow him and save King Scarecrow!

One of the big things I liked about the beginning is how it uses the events of the previous film. The tornado which destroyed Dorothy's old house is mentioned. Its consequences on the family is made known to the viewer, which is interesting. The ward is appropriately a pretty frightening place. I liked the dynamic between Head Nurse Wilson and Dr. Worley. Wilson is stern, while Worley is the seemingly nice doctor whom gets the patient to trust him. The lead-up to OZ is intense, and the only complaint I have is that the ECT didn't turn out to be anything more than a machine. With its design and words of hype, it's a shame it wasn't given more to do. Anyways, the real action of course begins when Dorothy wakes up in the middle of a barren OZ. From here the story is nicely paced as, like in the previous film, she meets her upcoming friends. Let's take a look at some of those friends.


Billina is Dorothy's chicken which accompanies her throughout the story. Billina is a very fun character to have around, providing funny lines. Denise Bryer did an excellent job voicing her. Tik-Toc was excellent, being sort of like the Terminator guardian to Sarah Connor in Terminator: Genisys. One of my favorite scenes was in the climax when Tik-Toc pretends to have his action stopped so Dorothy can get a head start at finding Scarecrow. Jack Pumpkinhead (Jack's a pretty popular name) is introduced later in the plot. In retrospect, he didn't actually do much, but was nice to have around if only for his cool design. Scarecrow is the only character from the previous film to have a role with dialogue. While it would have been nice to see Tin Man and Cowardly Lion more, it was good to see the film introduce the other major characters in the OZ series.

How about Dorothy herself? While Fairuza's Balk portrayal isn't quite as iconic as Judy Garland's, she was still very good throughout. Her politeness, even to the Nome King, was fantastic. While there's great continuity between both films, there are some things missing. For one thing, Glinda the Good Witch isn't mentioned at all. The Munchkins which inhabit the land of OZ are also missing. Ozma is basically a much younger version of Glinda. While not quite as enchanting as the later, Ozma was still very good.

As many have said, the film is noticeably darker than the 1939 classic. Is this a negative thing? Many would say so. It's true the film does have surprisingly grim aspects. The headless dancing girls eludes to decapitations, and we actually see those heads later in the film as Mombi says she uses those heads on different occasions. The masks on the Wheelers when they first appeared were also creepy. I think the tone is fantastic and grips the viewer from the start until the end. These things, while dark, never leaves the overall fantastical atmosphere of OZ. I think Return is the very definition of how to properly do a "darker" story in a film sequel.

The biggest highlight may be the antagonist, the Nome King. From early on he is established as a true menace with his commanding voice. Every scene in the climax he's in was fantastic. The writing was incredible, having him be a manipulator. One of the best scenes is when he shows Dorothy the Ruby Slippers, stopping her in mid-sentence, saying "No, MY Ruby Slippers." He taunts her with the idea of she being able to return home, saying there's nothing she could do about her friends. Another great line is when he says, "Perhaps you'd like to visit my fiery furnace" which is followed by a scene of flames appearing. He's a fantastic character and Nicol Willamson did a superb job portraying him. His sarcasm and great anger made him a blast to watch. The climax features an intense race against time, followed by a last stand against a giant monster. The way it goes down, while perhaps meant to be funny, is a little anti-climatic. Still, the last act of the film was fantastic, on par with the climax of the 1939 film. The stop-motion used throughout was very good; the Nome King's final form looked really realistic. The servant face in the mountain was also very good. The soundtrack isn't anything special sadly. The best theme was in Mombi's palace, when the heads all woke and started chanting Dorothy's name. The viewer feels a sense of immense urgency when that started to play. (That, and the fact there were over 20 heads talking!)


Overall, Return to OZ is a very fun watch. It's a really cool sequel to the classic movie we've all seen and have ingrained in our memory. The story is much like a classic fantasy adventure with a character wanting to save the land from an evil ruler. It pays tribute to Wizard while introducing all these new elements. If you haven't seen this, I definitely recommend it. It's far better than the recent OZ: The Great and Powerful.

4.5/5

Thursday, June 26, 2014

MALEFICENT Review


MALEFICENT is one of those films that in theory doesn't have much purpose. No one prior to its announcement was clamoring for a film starring the antagonist of Sleeping Beauty. Often in life however it's the unexpected things that prove to be the greatest. This film is an example of that. It was a unique and risky concept for Disney. Instead of simply going the easy way and simply making a modern adaption of the classic story, they decided to throw the villain in the spotlight. Not only was this a daring move, but it also opened up some very interesting possibilities. It was marketed as a prequel to the classic story originally, but later we soon realized it was going to be a full on adaption, just with Maleficent as the lead. How exactly can a villain hold up a film? Director Robert Stromberg answers this question. This answer is a truly very good story. Do not think of it as the original film with the antagonist as the focus. Think of it as a new adaption of the material with a twist on the "villain."

The film begins as a prequel, when Maleficent was a little girl. (Or rather fairy) She meets a young man by the name of Stefan. The two over the years become and closer, until Stefan leaves to become king. What follows is a tragic tale of betrayal of love, as Maleficent takes her revenge on Stefan by cursing his baby, a girl named Aurora. However, Maleficent soon begins to grow fond of the young princess and wishes to remove the spell. The problem is that she can't! Only true love's kiss could...

If it's one thing the trailers did well, it's that they showed just how great of a portrayal this Maleficent is. Angelina Jolie does such an amazing job; I haven't seen such a great acting performance where it feels like the actor/actress is the character in a long time. It would be a crime if she wasn't nominated for her amazing portrayal. She portrays evil quite well, as you would expect from the character. However, in this version we learn the reason why she cursed Aurora. The viewer actually feels greatly sorry for Maleficent throughout the story. It's hard not to feel sad when she realizes cursing Aurora was a mistake, and that she couldn't do anything to reverse the spell. Jolie commands a great presence every time she's on screen. If the story is right, it would be great to see her character brought back for a sequel.


Of course, it can be a bit jarring for longtime fans to accept a Maleficent with compassion. That's the problem with putting the antagonist as the focus in this type of story. Unless he/she is somehow made into the hero, it won't work. Again, it's important to think of this as a new adaption of the original story, not a remake of the 1959 classic. With that in mind, you can go forward and watch the story of a fairy who goes from broken, to revengeful, to regretful, and finally having humility. The writing is great, but there a few things done pretty wrong. A minor one is that Maleficent turns more toward the evil side quickly. The scene where she has the woodland creatures bow to her seemed kinda fast and should have been put in just a little later. This is a minor problem, the bigger ones are a couple of the characters.

Besides Maleficent and Aurora, the character the movie focuses on is King Stefan. The opening established this guy very well, with a genuine friendship and then romance blossoming between him and Maleficent. It's in the present day when he turns king and things take a turn for the worst. The actual story part is great but the problem is the actor. Sharlto Copley just couldn't play this part well, and all his "angry" scenes felt very forced. Unlike Jolie who actually felt like she was the character, Copley was just an actor reading the lines and giving forced emotion when the script called for it. Another problem is Philip. (Brenton Thwaites.) The problem is not the character or the actor, it's how he's used. He comes in over halfway through the film, and does nothing. Unlike the original movie and story, his true love's kiss amounted to nothing. This character could have easily been written out since he contributes nothing.

With this technically being the Sleeping Beauty story, much of the focus would of course be on Aurora. Elle Fanning's portrayal is solid. It doesn't quite match Jolie's portrayal, but it's good enough. She's sweet, but beyond that there's not much else to say. It would be a problem if she was the main character, but she's not. A surprise character was Diaval, a crow Maleficent transforms into a human (and later many different creatures) to be her personal assistant. In the long-run he doesn't serve much purpose other than for a little comedy and providing the exciting climax as a dragon, but unlike Philip and Stefan, he's actually fun to have around. He also provides Maleficent with a voice of reason in some scenes, which was a nice touch and adds a little more purpose to the character.


One more character that had mild potential is Leila, King Stefan's wife. She actually dies off screen, and has very little lines. Like the King, the acting just wasn't very good. It's also the writing's fault for not doing much with her. The Three Fairies are there for obvious comic relief, which they serve greatly in. Amidst almost all blockbusters now clocking in at over 2 hours, it's almost refreshing to see a film that's just a little over an hour and half. Because of the shorter length, the story doesn't waste time or drag on in any scene. The CGI is abundant, as you would expect from this type of movie. It definitely brings to life the fantastical Disney world. The tree beings and the snake monster were true wonders to behold. The climax was exciting; who would have thought 55 years after the original movie you would be rooting for the antagonist? The soundtrack is very solid, featuring music worthy of a modern Disney classic.

MALEFICENT is a very enjoyable film. Angelina Jolie turns in an Oscar worthy performance, having such a powerful presence every time she's on screen. It might be a bit hard to accept how the classic antagonist is portrayed, but the film, and Jolie herself, make it possible to see a Maleficent with humility. There's quite a number scenes with incredible emotion, where you might actually feel like shedding a tear or two. One major factor holding the film back is King Stefan, who was horribly miscast. The story part is fine, and in fact quite engaging. It's just the portrayal that ruins the concept of Maleficent's former love turning on her. Despite that, Maleficent is a modern Disney classic. It is far better than recent films like it, such as OZ: The Great and Powerful and Alice in Wonderland. I dare even say it's in league with FROZEN. If you're a fan of the Disney classics, this film is highly recommended.

4.5/5

Wednesday, March 26, 2014

FROZEN Review


FROZEN is one of those movies that became a mega hit seemingly from nowhere. No one expected this much acclaim. Everyone loves it, some even calling it the best Disney musical in years. The DVD just saw release and it's selling like McDonald's hotcakes on a Saturday morning. While working the register someone actually asked if we "had the Frozen DVD," at a supermarket. That's how much it's liked by people, that they're willing to overspend at a supermarket instead of taking the trip to Wal-Mart. Anyways, I was very intrigued going into this movie. I was expecting something like Tangled, which was pretty solid in its own right. FROZEN isn't a Disney revolution, but Chris Buck and Jennifer Lee deliver a solid adventure with some unique twists.

A lot of the story is a little different than what we're used to seeing from Disney. Elsa has powers, and that's to freeze things. Sadly she accidentally freezes her sister's mind at a very young age. So, the parents bring them to the trolls for healing. The trolls heal and then warp her memory, making her remember things differently so she wouldn't know about Elsa's powers anymore. What follows is Elsa shutting out her sister, to protect her. Eventually, with their parents dead, responsibility to the kingdom falls on Elsa, and there's a coronation to celebrate her becoming queen. Sadly, she's provoked into using her powers and accidentally freezes all of Arendelle, creating an eternal winter. She escapes into the woods, unknowing of what she did. Anna journeys into the woods for a very intriguing adventure to talk to her sister.

Elsa may me the most marketed character, but it's really Anna who's the star. Both of these girls are great in their own rights. Elsa is a strong willed character afraid of hurting her sister. So she runs off and builds and icy castle for herself, thinking she's a danger to everyone else. Anna too is strong willed, and isn't afraid of danger. The sister relationship is nicely established from the intro until the end. The next major character would be Kristoff. He's not bad. Hans was perhaps the most intriguing character. He appears early on as the man Anna has been dreaming of. The film in this regard is quite brilliant. While we may laugh at the idea of someone getting engaged to someone they met the same day, the writing is smart to make Hans seem ultra genuine to the point where it seems this isn't just generic love at first sight. Then there's the plot twist...

The film didn't really have a villain, until Hans emerged. It was quite the plot twist, no one can see it coming. The generic route would be that their kiss wouldn't have worked with Anna realizing then that Kristoff was actually her true love. Thankfully directors went this route. Olaf is the little comic relief guy always making the audience laugh. He was definitely a highlight, and cemented himself as one of the best Disney creations in recent years. And who can forget the giant snow monster Marshmallow? Thanks to him the film had some much-needed action sequences. There aren't really any other notable characters to speak of. There's the Duke of Weaseltown Weselton, but his character was so ridiculous that you have to wonder how he got put in charge of Weselton. Oh, we can't forget Kristoff's reindeer, Sven. While he's no Maximus from Tangled, he was still one of the funnier characters in the whole thing.

The film's subtle scene early on of the parents dying on the ship was amazingly done. Unlike BRAVE, this film knows how to convey emotion on a grand and personal scale. One of the biggest things acclaimed is the soundtrack. This movie is part musical, so if you don't like those things, chances are the abrupt songs within scenes won't be to your liking. With that said, it's hard not to smile at a good majority of the songs. 'Let it Go' is definitely an award-winner. The film isn't that long, and doesn't feel long thanks to the solid pacing. There aren't any real major negatives to be mentioned. Some of Kristoff's lines were remarkably un-fuuny. (I'm still shuddering from his conversation to Elsa about noses...) And this could have really all been avoided if Elsa would have simply confided in Anna about why she wears the gloves. It's one of those plot things people don't understand but accept.

Overall, FROZEN was definitely solid. It's a far better movie than BRAVE ever hoped to be, and ranks with Tangled as one of Disney's modern best. Which is the better movie? It's tough, but I think I'm actually aiming more toward the latter. FROZEN does feature some more memorable characters than the former however. Elsa is a Queen, and actually the only really heroic one from Disney! Anna is much like Rapunzel from Tangled, adventurous, outgoing, and wanting to be in the outside world. It's hard not to smile whenever Olaf is on screen, and the film actually boasts a couple of impressive action sequences with Marshmallow. I don't think it's a perfect movie, but in the future it could be remembered as a Disney classic of the 21st century.

4/5

Tuesday, November 5, 2013

The Nightmare Before Christmas Review


There are many movies everyone knows. Star Wars, Jaws, and more recently The Avengers are just a few of these films. Perhaps the most well-known and influential stop motion film is Tim Burton's The Nightmare Before Christmas. It was originally based on a poem, which is a pretty good read. However, what a lot of people forget is that it wasn't directed by Burton, he was the producer. It was directed by Henry Selick, who would go on to direct Coraline 16 years later, another great (and I would say better) stop motion flick. The Nightmare Before Christmas is a unique movie. I'm personally not into musicals, but the story is whimsical and doesn't get dull.

The story follows Jack Skellington, the 'Pumpkin King.' He's basically the leader of Halloween, every vampire, ghost, and werewolf looks up to him when it comes to the yearly event. Jack however has grown tired of Halloween Town, he yearns for something different. While traveling deep into the woods he stumbles upon a few trees. The one with the engraved Christmas tree stood out, so he enters and is transported to a place called Christmas Town. Here he sees the wonders of the Christmas holiday, from the trees to Santa Claus himself, he becomes amazed with all of it. So, when he comes back to Halloween Town, he wants to experience the Christmas spirit himself.

The story is pretty fun with a contrast between Christmas and Halloween, two vastly different, almost opposite holidays. Jack is a legendary character, one of Disney's best, right up there with Buzz Lightyear. His personality never gets old, being that of a horror figure, genius, yet a bit blinded by ambition. In short, he's one of the best characters Disney has brought us. The other main character would be Sally, a creation by Doctor Finklestein. She's a sweet girl with really the most sense in the whole thing. She easily grows on the viewer since she has a sad demeanor and often 'trapped' by Finkelstein.


The antagonist is Oogie Boogie. Despite appearing almost of nowhere and not having that much screen time, he's definitely a highlight and one of the best Disney villains. Seriously, he's fantastic. Ken Page does an excellent job voicing him, almost a mocking gentlemen tone of Jack's elegant voice. Santa Claus has a nice little role, despite being captured for most of it. Dr. Finklestein is your average jerk mad scientist. The film gave the illusion that he was perhaps the main antagonist. Thankfully, that wasn't the case. There aren't many other notable characters other than perhaps the bumbling mayor who provides some funny scenes.

The music is a major part of the film. I can't help but wonder how it would have gone if the music were absent. But, it's a musical and it's handled pretty well. The opening Halloween theme perfectly sets up the tone and atmosphere. Danny Elfman did a solid job with the soundtrack. The climax is pretty exciting, even having a 'final battle' against Oogie Boogie. In the end, you're left with a nice picture of Jack and Sally.

Overall, The Nightmare Before Christmas earns the title of 'classic.' No matter how many years go by, it's a fun watch. The film pioneered Burton's dark stop-motion type that is still in effect today. (Go watch Coraline.) Jack is a great focus, and is countered by the fantastic Oogie Boogie. Sally is a nice girl and the romance between her and Jack is subtle throughout and only blossoms in the final scene. Nightmare is a truly whimsical 76 minutes!

4.5/5

Friday, October 18, 2013

Toy Story of Terror Review


Toy Story is arguably Pixar's greatest movie series. It has fantastic characters, great humor, and never fails to be engaging for viewers of all ages. It's been three years since the critically acclaimed third movie came out. It had a proper closing, with Andy growing up and heading to college. He gave his toys away to a little girl named Bonnie, who would have more use for them now that he's older. This Halloween special is the first canon thing where we get to see what the toys are up to. My only complaint is that in ends too soon!

The story follows the toys whom gets taken to a hotel with Bonnie and her mom. Things get pretty spooky when Potato-Head leaves and doesn't come back. Soon the toys start getting 'picked off' one by one. In the end, Jessie will have to face her fear of being enclosed in a box. First, I gotta give credit to Pixar for producing a short that could have easily been drawn out to be a movie. It has the same level of quality and humor as the films.

The writing is fantastic, every character has their appropriate lines. My personal favorite is when while watching a Dracula-like movie on TV, Buzz Lightyear comments, saying the woman should use the things around her as weapons. The story succeeds in having a Halloween spooky atmosphere. I'm sure all the young kids watching it got a jump when the toys were slowly getting picked off. Jessie has a pretty big role. It's interesting cause she has box-phobia. So while this is a Halloween special, it's also a story showing that you should face you fears.

There are a few toys exclusive to here. There's Combat Carl, (technically he appeared in the first film) who rescues Jesse from the lizard. He's a pretty cool G.I. Joe/Action Man parody. He's the one that encourages Jessie to face her fear. There are a few other notable toys in the glass container, but the highlight was the Transformers-like one, Transitron. He has a great robotic voice and fantastic lines. These toys would be good additions for a fourth film.

Overall, Toy Story of Terror is a fantastic special. I hope this opens the door to more specials. A TV series headed by the same team could also prove to be a great addition to ABC's lineup. This is a must-see for any Toy Story fan.

5/5

Sunday, August 11, 2013

OZ: The Great and Powerful Review


OZ: The Great and Powerful was one of the more interesting films to come out of 2013. Directed by Sam Raimi, (director the Spider-Man trilogy) this movie serves as a prequel to the 1939 classic. The Wizard of OZ is in every sense of the word a true 'classic.' It is considered by many as one of the greatest movies of all time. With its pretty visuals, fun characters, and engaging story, it's a timeless tale. Many wondered if we would ever see a remake. (Not that anyone would ever want it.) Instead, this film took a more interesting route, deciding to tell the story of how the Wizard came to OZ and ultimately became its king. It also showed us how the Wicked Witches came to be. With its pretty visuals and likable characters, The Great and Powerful is a nice little movie for the family on a Saturday afternoon. It's not great however, just mildly entertaining.

The story follows Oscar "OZ" Diggs who gets sucked into a tornado. (Sound familiar?) The tornado brings him to the land of OZ, which is strangely named after him. It turns out there's a prophecy saying a man with the same name as the land will come and slay the Wicked Witch. Things aren't what they seem however, and in the end it'll be up to some tinkers, munchkins, and scarecrows against flying baboon monsters. The film starts out nicely, in black and white and with a smaller aspect ratio. An appropriate start, since that's how the original movie started. It's here that we're introduced to Oscar. The intro was a nice start, but once Diggs lands in OZ is when the true magic begins. But first, the cast.

James Franco (Harry Osborn from the Spider-Man trilogy) plays the title character. The main thing about him is his quirkiness, basically a toned down version of Robert Downy Jr.'s Tony Stark. Yes he's a ladies man from the start. Sure, some of the quirkiness is sometimes funny, but often it's not and it comes off as overacting the role. For example, the most awkward thing is when he lands in OZ. He protects Theodora from the baboons like he's an expert and she's not. Then he's not shocked at all to run into a flying, talking monkey. He takes it all in stride like it's an everyday occurrence, So yes, I definitely think they should have gone with someone else for the main role, or changed the script. Mila Kunis plays Theodora, the lady that becomes the Wicked Witch of the West. She play's the part well, fooling the viewer into thinking she's the good witch. However, the highlight is definitely when she transforms into her familiar green self. The acting is kinda cheesy, but it's appropriate and a nice homage.


Michelle plays the lovely Good Witch. It's interesting since she's a younger version of the one we know from The Wizard. No real complaints. Rachel Weisz plays Evanora, the Wicked Witch of the East. She plays the part really well, with beauty but deceit lurking. The other major characters are quite interesting. We have the little China Girl, whom was definitely one of the best, You can't help but feel very sorry for her in her first scene. Although, she went from broken little girl to having a sassy personality really fast, it was almost too fast. Though her scene in the house is the most touching. Then we have Finley, the flying monkey that becomes OZ's assistant. He's the Donkey to Shrek, the character everyone's going to like from the start. So yeah, the characters are pretty fun but OZ himself lacked that charm.

The land of OZ is a truly magnificent place to behold. Despite its age, the 1939 film's visuals look great. So you could imagine how glorious it would look with today's effects. It looks cartoonishly bright, but that's part of the charm. From the Emerald City to the Dark Forest, the scenery is quite lovely. CGI is abundant, but looks pretty good for the most part. The China Girl for example is amazingly done.There are a few key things I liked. The transformation into the Wicked Witch of the West was fantastic, and the laugh ranks as one of the best. It was also cool how the baboon creatures were portrayed as threats from the start. The climax of the film is pretty exciting. The scene with the scarecrows walking in the fog was really well done. And the scene with OZ's head in the smoke was pretty much his only 5 star acting performance. Danny Elfman composed the soundtrack.  (Who also did the soundtrack for the first two Spider-Man films!) It fits the movie well, there's even a few memorable themes.

Overall, OZ: The Great and Powerful is not really a 'great' movie. It's fun, with its bright scenery and characters. In the end however, it's unremarkable and I can't help but think they could have done a prequel story better with a different direction. For a much better fantasy movie, watch Tim Burton's Alice in Wonderland.

3.5/5

Friday, March 22, 2013

Wreck-It Ralph Review


Wreck-It Ralph was the surprise hit of 2012. People were expecting good things from a Disney Animated film, but nothing of this caliber. Some have even called it the best film of 2012! I didn't catch it in the theater sadly, but now I've made it. It comes with no surprise that I'm a pretty big gamer, I've been one for years and years. I claim I'm a Mario and Nintendo fan, which is true, but my first console was actually the original Playstation. I soon got the Game Boy Color (remember when color was a big deal?) with Super Mario Bros. Deluxe. While I've never played the classics like Super Mario World or Sonic and Knuckles on their original consoles, I have played all of them through the many ports. And of course one can't watch this movie without having played Pac Man. I saw Brave recently, the movie which won the Golden Globe award for best animated picture. I'm tempted to say the Oscars were rigged in that department, Wreck-It Ralph is easily the superior movie. It's a really well done film with great characters, visuals, and twists.

The story is rather different, since it takes place inside the arcade games. Ralph is the bad guy of the game Fix-it Felix Jr. The problem? He's tired of the title character getting all the glory and living in the dump. So he sets out to find a medal, because when he gets it he will be treated with respect and given a place in the penthouse. However, his mission leads him to the game Heroes Duty, where he'll have to fight his way through killer bugs. The journey to achievement brings him to the game Sugar Rush, where he meets a girl named Vanellope, who happens to be a glitch...or is she? Twists and turns accumulate to one heck of a final battle.

The film early on establishes its unique atmosphere, having the classic animation of sailor Mickey in 8-bit form. Then we're treated to the Fix-it Felix arcade system. (Which is right next to Pac Man!) This story is so unique that it actually takes us within the arcade from the characters' point of view. They live solely in the game, it's interesting to see the system and how characters react. One of the best scenes is near the beginning, with Ralph at a support group for bad guys. I don't how Disney did it, but they managed to have a lot of familiar faces here. In the meeting we have Bower and Dr. Eggman in the same room! (Who didn't get a good laugh from Bowser's cup of coffee?) Not to mention Bison and Clyde. (Orange Ghost from Pac Man.) It is so clever how they used the center in the game where the Ghosts emerge as their meeting base. (Then you see the rest of them leaving it like they are actually part of the system.)


The movie soon introduces us to Game Central Station. It's basically a Grand Central Terminal for all the gaming characters. (Sonic gets a nice on-the-screen appearance reminding everyone to never die in other games.) It's a really cool place for longtime gamers to see. (Look out for Frogger!) There are plenty of cameos in the film only gamers will appreciate. When Ralph is looking in a treasure chest he pulls out a Super Mushroom and Metal Gear's !. (Complete with sound effect.) Let's talk characters. Ralph's story of not wanting to be the bad guy anymore was handled extremely well. We root for him as he enters the penthouse because they're having the 30th anniversary party without him. (The bartender in there looks strangely like Nintendo's mascot.) Along the way we run into Vanellope, a nine year old girl who happens to be a 'glitch.' When the first trailer came out, it gave the indication that she would be an annoying side character. It's actually quite the opposite. Her story of being a 'glitch' (which is smartly incorporated for gamers to get) is touching and in the end we root for her. (Who didn't get that warm feeling inside when she gave Ralph the 'you're my hero' cookie?) Then we have Fix-it Felix Jr. (Whom is basically Mario.) He's a pretty likable video game protagonist. However, a highlight was Sergeant Calhoun, the protagonist of Hero Duty, She's basically Lara Croft or Samus Aran, a tough as-nails-female fighter. It was pretty neat how she was 'programmed' with the saddest backstory. We also have King Candy, the ruler of Sugar Rush. The plot twist with him was really surprising. I will say that his dialogue with Ralph about Vanellope was very convincing, great stuff there.

All this an alien bugs! Hero's Duty is basically Starship Troopers confined into a single game. Aside from the main antagonist, these Cy-Bugs are the villains. (One of them even latches onto Ralph's face like a Facehugger.) It's pretty cool how their goal is to just consume and will keep on consuming unless a beacon calls them back. (Now it makes sense why computer-controlled creatures are so wild in those first person arcade shooters.) The visuals are really fun to look at. I must commend how 'video game like' it was, such as the way citizens in the Fix-it game move. Sugar Rush is such a 'treat' (pun intended) to view. Remember the board game Candy Land? Picture than in beautiful CGI. It's clever how the snack 'devil dogs' are used as actual guard dogs, and Oreos as royal subjects. Early on Bison mentions if Ralph is going 'Turbo.' (Which I thought was a reference to Street Fighter's many re-releases.) Nope, it turns out 'Turbo' was actually a a character within the video game TurboTime that got jealous of another game. The backstory is excellent. The soundtrack went well enough with the film, with the end title 'When Can I See You Again' by Owl City being a highlight. It didn't have as many catchy tunes as I would have liked, but it's solid enough.


Overall, Wreck-It Ralph is one of the greatest animated movies in recent times. The story is handled well with many likable characters. Ralph's story is understandable from the start, as is Vanellope's. The two of them form a bond that is fleshed out well and of course very heartwarming. Have I mentioned that Sonic, Bowser, Bison, Dr. Eggman, and even Pac Man appear? The concept was amazing from the beginning and was fantastic to see, which is sure to get a few laughs from the viewers. Mario is mentioned in a pretty awesome way, but doesn't get to appear. (Which was quite sad, but at least we'll see him in the sequel.) Brave got the award for best animated picture, but really this film deserved it. The story is handled better with no unnecessary silliness that plagued Brave. Everyone should give Wreck-It Ralph a go, especially gamers whom have played them all from Pac Man to Mass Effect.

5/5

Wednesday, October 24, 2012

Coraline Review


Part family movie, part horror, part fantasy, part haunted house, Coraline fits into quite a few genres. This rather unique adventure came out three years ago. I remember the hype for it being it one creepy little stop motion film in the vein of The Nightmare Before Christmas or Corpse's Bride. I had always been curious about this film, but never got a chance to watch it. Three years later, I decided to give it a go. Coraline is one of the most unique films I've ever seen. It's visually entertaining, and the story is really engaging. Want a good movie to watch over the weekend with the family? I recommend checking out this imaginative masterpiece.

'From the director of The Nightmare Before Christmas.' All these years I thought Tim Burton had directed that classic, only after watching this film I realized he hadn't. So during this movie, I thought he was the one behind it. The story is also something you'd expect from a stop motion Burton film. It's deep and has hidden meanings from how you interpret it. Coraline as you guessed is the main focus, we're introduced to her and her parents early on. Turns out she just moved to a place in pretty much the middle of nowhere. After meeting with a boy named Wyborne, she gets a 'gift' in front of her door. It's a doll that looks mysteriously like her. In the house she finds a rather small door. Upon opening it, there's just brick wall. Well that's the end of that, right? No. Once she she falls asleep, these mice come into her room, then run away. She follows them to the door. Upon opening it this time, she finds a circulating tunnel. On the other side is her house, except it's in less disarray and looks like a dream place. Her parents are everything she wants them to be...minus the odd looking buttons for their eyes. It seems like a dream come true, everyone and everything caters to her every need. But life can't be that perfect, right? Of course not. "Be careful what you wish for..." for the 'Other Mother' wants to EAT YOUR SOUL.

Quite the intriguing premise. This film does an excellent job establishing the characters and their quirks. Coraline at first is portrayed as a little unlikable, then we see that her parents barely pay attention to her at the moment since they all just moved in. As the film goes on she learns humility and appreciates her parents. (Especially after the Other Mother tries to practically destroy her!) Stop motion films aren't quite abundant, so when they do come, people look forward to them. (Frankenweenie.) CGI wouldn't be able to accomplish the atmosphere stop motion gives this film, it's quite a spectacle. A highlight is the garden unfolding in the 'Other World.' I also like how detailed the facial expressions are. One minute Coraline is smiling and the next she could be looking pretty mad. CGI also wouldn't be able to accomplish the creepy transformation of the 'Other Mother,' or 'Beldam' as the Ghost Children like to call her. There are some really interesting characters in this. We have Wyborne, whom we can tell has a little crush on Coraline after meeting her. He's a rather strange one, with head usually cocked sideways. His 'Other Self' is a pretty good character. (Considering that he's mute there, that's a pretty big feat.) There's also the downstairs neighbors, these elderly retired actresses, Miss Spink and Miss Forcible. They're rather exotic, which is thanks to the fantastic voice work. (They're also fortune tellers!) Then there's Mr. Bobinsky, circus performer. He's the 'smart one,' the one the audience likes for his charisma. A negative with the film is that he's really underused. He gets one major scene, then that's pretty much it. He could have used a little more of a role. (His Other self gets a better role, but it would have been good if he did more in the real world.) Then there's one of my personal favorite characters, the Cat. He knows what's going on, the writing is triple A plus. (Yes, he talks...well only in the Other World.) Whether or not he was inspired by the Cheshire Cat from Alice in Wonderland is up for debate, (they do have similar roles and talk similar) there's no denying that he's one of the big pluses in the film. Whenever he's chatting with Coraline in the Other World, it's good stuff.


Going into Coraline I didn't know what to expect in terms of villains. I knew from the trailers they showed her parents with the creepy buttons for eyes, so I had always assumed the 'villain' was some kind of warped other dimension. Turns out it's another world created by the 'Other Mother' or Beldam. (I can't decide what to call her!) She watches children who are unhappy through a doll that looks like them, entices them with a dream world in the little door, convinces them to sew their eyes with buttons, then...eats their souls. The transformation from Coraline's normal looking mom to that deranged thing was pretty horrifying, (thanks to the wonders of stop motion!) and the writing is phenomenal. An evil, but not mindless creature. Smart and cunning. Which brings me to a point...Coraline didn't act surprised enough when she saw that her 'parents' had buttons. It seemed like she just went with the flow. And later while trying to get the rat with one of the eyes, she actually throws the green seeing stone. What? I don't think anyone would risk losing something that important like that. Nothing major of course, just a couple of things worth pointing out. I also think we should have gotten a little bit of an origin for the Other Mother and the world she created.

Dakota Fanning does the voice work for the title character, an excellent job. She can display happiness, anger, and sadness all very well. The film's soundtrack is what you get when you grab a classic Disney film's and darken it. From the more light-hearted themes to the creepy orchestrated ones, they compliment the film. (I would have liked to hear some choir in there, but that's just me.) What really makes this film special and stand out is the atmosphere and how it draws the viewer in. You have no idea what's coming. It's little things like the doll observing from the window that adds to the creepy atmosphere.

Overall, Coraline is what I consider to be a 'real' movie. There's a lot of thought put into the plot, (unintentional rhyme) the characters are great, and the story itself is engaging. I haven't seen a film like this in awhile. Visually it's entertaining, with amazing visuals that only stop motion can capture. Let's not forget the creepy factor. It's really quite unnerving sometimes, which is impressive. With a great main character and fantastic antagonist, Coraline is a movie I recommend to everyone. It doesn't disappoint in the slightest.

9/10